With more than 30 million surveillance cameras in this country, the average American is caught on tape more than 200 times a day: on the street, at the ATM, in department stores, even in public restrooms.

Yet the notion that we're being watched—at all times—has yet to resonate in the public perception.

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Its characters run the gamut: a high-school English teacher who has an affair with an underage student, a gas station clerk with high hopes for a musical career, a department store manager who uses his warehouse as a secret sex refuge.

In some places store employees can even make reels from security cameras and post them on You Tube.

That's where "Look," the acclaimed new film by writer-director Adam Rifkin, comes in—and it's likely to shock you.

Shot entirely through the point of view of security cameras (and co-produced by Barry Schuler, the former head of AOL), the film is executed in the style of actual spy-cam footage strung together but is actually a fictional tale aimed at giving viewers a glimpse of just how public our private lives have become.

The film took home the Grand Jury Prize at this year's Cine Vegas Film Festival and will debut in New York and Los Angeles in December. Excerpts: NEWSWEEK: Describe the social context that inspired you to make this film.

Barry Schuler: The last 10 years have brought a sort of perfect storm for what we're seeing today: wide adoption of the Internet, technological advancements that make accessing the Internet easy and a sense of paranoia that's been created by the aftermath of 9/11.